Reviews
Inhuman
The Puppetmaster
The Penelopiad
Alice in bed
Flies
Someone like me
Merlin
Metropolis
Yvonne
The Trojan Women
August
Louis
The Balcony
Csongor and Tünde
Three Sisters
Dada Cabaret
Richard III
Out-Let
I Chose Freedom
Great Sound in the Rush
Ernella's at Wolf's
Exercises in Style
Roberto Zucco
Macbeth/Anatomy
Master and Margarita
The Escape
Don Juan
Don Carlos/Egmont
Inferno
The Marriage of Figaro
Platonov
Ubu King
Lorenzaccio
Egg(s)Hell
Leonce and Lena
Woyzeck
The Tempest
Akropolis
Empedocles
Pelléas and Mélisande
The Blacks
- MGP: The Blacks = the Gypsies
- Balázs Perényi: The flowers of disruption
- Hédi Helmeczi: The seven veils dance of the soul
- Tamás Jászay: Get reflected in one another
- Borbála Sebők: The voice is friendly, deep, its colour is…
- Á. L. : Black-white opera in the Bárka Theatre
- Gábor Pap: Mirrors and confusions
- Rita Sebestyén: On the language of dreams
- White Elephant: The Blacks
- White Elephant: The Blacks – last performance
Theomachia
- MGP: The battle of gods in the Bárka Theatre
- Gábor Pap: The fight of harmony and metre
- Tamás Tarján: In the crater of darkness
- Ian Herbert: An elevating ceremony
- András Nagy: The fight of Gods
- Anna Földes: The universal secret
- László Zappe: Theomachia
- Judit Csáki: Stone, bread
- Tamás Koltai: The fate is cruel
- Adrienne Dömötör: Towards the completeness
- Haynal: Even a god can avoid his fate
- Ilona Gantner: Weöres’ divine trio
- Tamás Jászay: Dlihc eht si erehw?
- Melinda Sőregi: The captain takes a risk
- POSZT: Theomachia – Professional discussion
School for Fools
Jack, or the Submission